Schumann

 - 

Legato and Natural Phrasing

Schumann

 - 

Vibrato Connections

Schumann

 - 

Allegro - How to Practice

Schumann

 - 

Adagio and Chamber Music

 - 

Legato and Drawing the Beautiful Bow

 - 

Scales in Double Stops and Repertoire Application

 - 

Scales with Complex Bowing Patterns

 - 

Finding Liquid Legato in the Bow

 - 

Artistic Explorations of Vibrato

 - 

Advanced Shifting Principles and Repertoire Application

 - 

Advanced Arpeggios and Repertoire Applications

Faure

 - 

Sicilienne

Glazunov

 - 

Chant Du Ménestrel

Faure

 - 

Berceuse

Verdi

 - 

Opening through m. 29

 - 

Conclusion

 - 

Vibrato II

 - 

Vibrato I

 - 

Tortelier Exercises

 - 

Thumb Position

Beethoven

 - 

Performances

 - 

Trill Exercises on Weak Fingers

 - 

Fundamentals of Spiccato

 - 

Chromatic Excercises

 - 

Cossmann Studies

 - 

Bowing Exercises

 - 

Feulliard's Long Distance Shifting

 - 

Feulliard's Scalar Shifting

 - 

Introduction to Trills

 - 

Introduction

 - 

Physical Commandments

 - 

Right-Hand Commandments

 - 

Left-Hand Commandments

 - 

Wonder Woman Performance

 - 

Electric Cello Tutorial

 - 

Focusing your Practice

 - 

Playing without Pain

 - 

Principles of the Bow

 - 

Developing Variety in Shifts

 - 

Stylistic Applications of Vibrato

 - 

Removing Consonants

 - 

Experiments with the Magical Sounding Point

 - 

Separate (Articulated) Bow Strokes

 - 

The Art of Portamento

Tchaikovsky

 - 

Variations On A Rococo Theme

Tchaikovsky

 - 

Opening through m. 16

Tchaikovsky

 - 

m. 21 until one measure before letter A

Strauss

 - 

Opening until second measure of reh. 2

Strauss

 - 

Finale

Strauss

 - 

Variation IX-X

Strauss

 - 

Variation VII-VIII

Strauss

 - 

Variation VI

Strauss

 - 

Variation V

Strauss

 - 

Variation IV

Strauss

 - 

Variation III

Strauss

 - 

Introduction

Strauss

 - 

Variation II

Strauss

 - 

Theme

Strauss

 - 

Variation I

Strauss

 - 

Opening through m. 8, Letter A through m. 49, Letter C to letter D

 - 

Spiccato Variations

 - 

Sound Projection

 - 

Sound Colors and Bow Division

Shostakovich

 - 

IV. Allegro con moto

Shostakovich

 - 

III. Cadenza (attacca)

Shostakovich

 - 

II. Moderato

Shostakovich

 - 

I. Allegretto

Shostakovich

 - 

Introduction

 - 

Shifting

Schumann

 - 

III. Sehr lebhaft

Schumann

 - 

II. Langsam

Schumann

 - 

I. Nicht zu schnell

 - 

Scales and Arpeggios

 - 

Holding the Bow

 - 

Intonation

 - 

Mapping the Fingerboard

SaintSaens

 - 

The Swan

SaintSaens

 - 

III. Tempo primo

SaintSaens

 - 

Supplemental Études to Build Practice Methods

SaintSaens

 - 

A Guided Tour of the Great Recordings

SaintSaens

 - 

II. Allegretto con moto

SaintSaens

 - 

I. Allegro non troppo

SaintSaens

 - 

Performance

SaintSaens

 - 

Ensemble Playing

SaintSaens

 - 

Allegro appassionato

Rachmaninoff

 - 

Vocalise No. 14 (Performance)

Rachmaninoff

 - 

Vocalise No. 14 (Performance)

Rachmaninoff

 - 

Vocalise No. 14

Rachmaninoff

 - 

Vocalise No. 14

Prokofiev

 - 

III. Andante con moto

Prokofiev

 - 

Cadenza

Prokofiev

 - 

II. Allegro giusto

Prokofiev

 - 

I. Andante

 - 

Practicing Dynamics

 - 

Shifting Using Stretches

 - 

Scale Patterns and Rhythms

 - 

How to Warm Up the Left Hand

Popper

 - 

Performance

Popper

 - 

Tarantella

Popper

 - 

No. 33