- 

The Pros and Cons of Seated vs. Standing Posture

 - 

Underbowing and Vibrato Fundamentals

 - 

Sound Production Fundamentals

Mozart

 - 

I. Molto allegro (Orchestral Excerpt)

Mozart

 - 

IV. Finale. Allegro assai (Orchestral Excerpt)

 - 

Left Hand Setup

Koussevitzky

 - 

Double Bass Concerto, Op.3

 - 

Fundamentals of Jazz Bass

 - 

Fingerboard Geography Fundamentals

Bottesini

 - 

Elegy No. 1

 - 

Left Hand Pressure

 - 

Shifting

 - 

Soloistic vs Orchestral Sound Production

 - 

Left Hand Position

 - 

Weight Distribution

 - 

Bow Hold and Wrist Control

 - 

Standing and Sitting Posture

Verdi

 - 

Otello (Orchestral Excerpt)

 - 

Advanced Exercises and Musical Application

 - 

5 Mechanical Exercises

 - 

Using the Metronome

 - 

Memorization

 - 

German Bow Hold

 - 

Benefits of Standing

 - 

Bow Contact

 - 

Extensions

Stravinsky

 - 

Pulcinella Solo

Strauss

 - 

Ein Heldenleben Reh. 9 (Orchestral Excerpt)

Rachmaninoff

 - 

Vocalise, Op. 34 No. 14

 - 

Diatonic Harmony

 - 

Triads & Seventh Chords

 - 

Intervals

 - 

The Circle of Fifths

 - 

Minor & Other Modes

 - 

The Major Scale

 - 

Course Overview

 - 

Whole Steps & Half Steps

Mozart

 - 

Symphony No. 39 - I (Orchestral Excerpt)

Mahler

 - 

Symphony No. 2 (Orchestral Excerpt)

Mahler

 - 

Symphony No. 1 - III. Solo (Orchestral Excerpt)

Ginastera

 - 

Variaciones Concertante - Solo (Orchestral Excerpt)

 - 

Groove and Pulse

 - 

Jazz Bass Fundamentals

 - 

Fundamentals: Intonation and Resonance

 - 

Non-Chord Tones with the Piano

Beethoven

 - 

Symphony No. 9 - Recitativo and Ode to Joy (Orchestral Excerpt)

 - 

Building a Jazz Bass Line

 - 

Being Friendly with the Piano

Bach

 - 

Transcription Choices for Bach on Bass

Bach

 - 

VI. Gigue

Bach

 - 

V. Gavotte I & II

Bach

 - 

II. Allemande

Bach

 - 

III. Courante

Bach

 - 

IV. Sarabande

Berlioz

 - 

Symphony Fantastique (Orchestral Excerpt)

 - 

Accompanying a Country Song

Bach

 - 

I. Prélude